I have a diverse audience, which is great, because I like doing things that are a bit more obscure, and I love doing things that are very popular as well. Each has its own bit of joy. So I try to mix it up.

I really believe in the power of comics as an educational thing, even ones as silly as mine, because they're a gateway to the actual thing. They're like an easy entrance.

Working at home is hard. It tends to give you bad habits. It feels more like you're going to work when you get up in the morning and leave your house and go somewhere.

Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.

I don't spend as much time drawing as I do writing and reading. That's the really work-intensive part. And by the time I have enough material, it's often way past due time to put the comic up, and I'm already behind schedule, and I have to kind of rush it.

A lot of the ways that I like to approach comic books, or anything like that, is not just the book itself, but the fans of it, the readers, the world that exists around it as a cultural object.

I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.