If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.

Books have always helped me make sense of things. With any life experience, you can find someone who has documented it in a poetic way.

I don't have a big career plan. I just like to see how things come out, and I just try to keep going in different directions.

If someone had told me years ago that sharing a sense of humour was so vital to partnerships, I could have avoided a lot of sex!

I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them.

My best feature is unfortunately a private matter, although I'm told it is spectacular. But you can't really walk it down the red carpet. What can I say?

I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless.