My desire was never to be famous. It was to try and create something interesting musically if I could.

I split it up into working on the two narrative pieces that can tell a story. The scariest thing was whether I'd be any good performing live again. It was such a long time since I'd done any live work. It's so different for me than recording. Every night my audiences were what I would dream of. You could just feel their support.

You have to try and embrace it all and everyone who represents that change because it is happening.

I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.

The thing with 50 Words of Snow is that it was literally back-to-back from Director's Cut [also released in 2011]. It was more or less that I got to make two albums in one hit. I was already in this space in my mind to be writing and making an album.

I spend a lot of my time looking at blue, The colour of my room and my mood.

Numbers are really fascinating things, and they do play a big part in our lives. They are a language of their own.