The way we started was, Alison [McGhee] said, 'Tall girl, short girl.' We had no plans beyond that.

Writing is seeing. It is paying attention.

When I get to a point in my book writing when I don't know what I'm going to do next, I'll come back look at underlined passages and see if the images I wrote still have a certain amount of resonance for me.

Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.

I loved school; I loved the rules, and I liked there being right answers, wrong answers, and being able to give the right answer all the time. And that goes against who many would predict is going to go out and break rules and tell stories for a living.

I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.

Stories are light. Light is precious in a world so dark.