At some stage I'm going to have to say, 'Right, that's it. I'm stopping for a bit'.

There wasn't very much time between wrapping Revolutionary Road and starting The Reader. It was about five and a half months, which, for me, isn't that long. Some actors are very good at just going from one thing to another but I've always been a bit useless at that. The preparation time is important for me.

Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.

Honestly, among my acquaintances there is no woman wearing XS.

I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.

One of the reasons I've never done intensive psychotherapy or any of that stuff is that if there's anything in me that needs fixing, I want to know that I can rely on my own intuition to fix it.

I find it very difficult to wear nice, pretty shoes. I'm much more comfortable in boots or Birkenstocks or loafers.