The exciting thing about getting a label together and doing press for it is that hopefully some 15-year-old girl who is the only feminist in her junior-high class will hear about it and be like, "Oh, cool, I hadn't heard of that, I'm going to check it out."

Later as things progressed and I saw the direct correlation between being able to keep making records and having people know about the music, I became more interested in using popular media as a way to get the word out.

Younger feminists actually care about stuff that came before them, the same way that I totally cared about and loved and felt so lucky to have access to the feminism that came before me. To have younger people take what me and my friends have done, and to say 'We have access to that, but we're going to put that through our own Internet generation filter and we're going to make it into something that speaks to us and is a lot smarter.'

I would much rather be the obnoxious feminist girl than be complicit in my own dehumanization.

Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.

Young girls getting into feminism.

It was one of the first things I did on my own; I worked at McDonald's, raised the money and did it. I'm really, really passionate about pro-choice, because I wouldn't be here talking to you right now if I'd had a kid at 15.