It's not like somewhere along the way I decided to be a total formalist in terms of music and to not care about content; the content is going to be there whether I try to make it be there or not, and I can have fun and see what happens.

There's comedians who I consider extremely punk rock who I've seen do very political stand up in places where nobody wants to hear that. It's uncomfortable and scary and you realize it's the punkest performance you've ever witnessed.

It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.

Not to rag on myself, but when people say, 'What does it feel like to be an icon?' I'm like, 'My dog does not think I'm an icon, my cat does not think I am an icon, my cousin does not think I am an icon.' I have a really lovely group of friends, and I just don't think about it.

It's so important for people in political groups to learn the difference between productive criticism and not. When it's about something you can change, it's productive. But if it's just like "You are an evil person", you can't change that. There's no way around that.

If people are like, 'Oh, you're an icon,' then whatever. But who thinks of themselves like that? It's not like I have posters of myself on the wall.

Feminism rotates between backlash and interest. And the cool thing about the Internet is that it's allowing women more access to their own history. Part of the problem before the Internet was that we didn't know which books to read. Someone had to tell you.