I thrive on production. It feels very much like a natural environment for me.

The journey for women, no matter what venue it is - politics, business, film - it's, it's a long journey.

If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.

I can't change my gender, and I refuse to stop making movies.

For some individuals - some soldiers, some contractors - combat provides a kind of purpose and meaning beyond which all else potentially pales in comparison.

When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director.

I did a pilot for Anything But Love in 1988 that didn't sell.