I did a pilot for Anything But Love in 1988 that didn't sell.

I suppose I like to think of myself as a film-maker.

My movement from painting to film was a very conscious one.

One should make morals judgements for oneself.

I need to have my hands on the DNA of a film.

I realised that there's a more muscular approach to film-making that I found very inspiring.

I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.