My movement from painting to film was a very conscious one.

On the other hand, I believe there's hope, because the breakdown and the repair are happening simultaneously.

I'm drawn to provocative characters that find themselves in extreme situations. And I think I'm drawn to that consistently.

My movement from painting to film was a very conscious one.

I did a pilot for Anything But Love in 1988 that didn't sell.

My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy.

I can't stand outside myself and be anybody else.