Any time I break up with Dawson or question him, viewers turn against me.

It's nice to do something about something that scares you rather than just run from it and hope that someone saves you. I like seeing strong female characters and somebody who doesn't run away screaming when scared, but confronts the monsters.

Becoming a mother has been the most amazing experience - in an instant you become strong. You have to be a little bit wiser; it's the most important job in the world.

I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."

It's kind of fun being the cute, little one. In fact, I'm finding it hard to grow out of that.

She'll really tell me [what she thinks]. Like today I'm wearing brown suede pants, and she said, 'I don't like your pants.' But then she'll say, `You've got to wear these shoes.' Or 'That's so pretty, Mom. Wear that.' She's got a great eye.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.