Growing up, I always had my dreams set on being an actor, so I looked up to Julia Roberts, Audrey Hepburn. I also look up to Kate Winslet and Renée [Zellweger] and Cate Blanchett...and Diane Keaton - she's a genius. I think it's very inspiring to see these women attack such complex roles.

When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.

I think that I'm always open to any kind of project.

I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.

I used to get so worried that if a scene didn't go a certain way, then it was horrible. But then I realized that it was better to give the director options in the editing room than just being locked into how it's supposed to be.

We had such a wonderful set of circumstances in Wilmington. Yes, the four of us became famous literally overnight, but we were in a small town and we always knew when people were coming down. We always knew when to behave.