When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.

I really hope that I get to work with Chris [Nolan] some day.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.

It's actually great to shoot far away from Hollywood because we don't have the distractions of the parties and premieres and all that. And, of course, you can save money - there are no good shoe stores.

I'm so spoiled - I must have a Starbucks vanilla latte every day. Otherwise, it's going to be a bad day. I also love Jelly Bellies. But that's bad. Don't tell my mom.