It's actually great to shoot far away from Hollywood because we don't have the distractions of the parties and premieres and all that. And, of course, you can save money - there are no good shoe stores.

Any time I break up with Dawson or question him, viewers turn against me.

I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.

I'm free of an abusive cult, based on money and power that worships a fictional deity and safely back with the Catholic Church.

I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."

I wasn't very funny or flashy, I was kind of boring.

I got caught kissing. Like by my parents. It was so horrible. It's so embarrassing, I'm blushing.