I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.

I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.

I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.

It's nice to do something about something that scares you rather than just run from it and hope that someone saves you. I like seeing strong female characters and somebody who doesn't run away screaming when scared, but confronts the monsters.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.

Steven [Soderbergh] is so generous and when I sat down to meet him for "Logan Lucky" he answered so many questions about directing, so when I was on set I tried not to bug him too much.