When we don't get that escape from our work selves, I think we feel its absence on a deep, almost primal level. Leisure is uncommodified, unoccupied time where we get to be truly free, so feeling bad about missing the weekend isn't just, "Damn, I didn't make it to the mall!" It's a profound loss.

When we don't get that escape from our work selves, I think we feel its absence on a deep, almost primal level. Leisure is uncommodified, unoccupied time where we get to be truly free, so feeling bad about missing the weekend isn't just, "Damn, I didn't make it to the mall!" It's a profound loss.

We know that our bodies suffer from overwork and lack of leisure: anxiety, mental-health issues - we're not designed to work more than about 40 hours a week. Our systems wear out and the quality of the work suffers. After 50 hours, it crashes and burns.

I know Stephen King is uncompromising on the idea that writers should practise their craft every single day, and it clearly works for him. Personally, I relish a day off with some boredom; it gives me space to feel the world, observe, stir up the epiphanies, which I need if I'm creating fiction. On the other hand, I'm a big advocate for beauty and creativity on the weekend, which can be incredibly rejuvenating.

We can do a bit of blaming: the proliferation of devices means we're always at work, always on call, always available. Physically leaving the office isn't a declaration of being off work anymore; your office is in your bag or pocket.

If you're in the mood for a blushing art house romance, you'll fall for it, too.

Now we have a gig economy where many people are holding down several jobs at once. The whole concept of a 40-hour week makes people under 30 laugh.