Love isn't about when you first meet. It's about the many, many years you spend together, when you're trying to keep that flame burning.

I can't even say I made my own mistakes. Really - one has to ask oneself - what dignity is there in that?

Every country should have a strong literary tradition of its own at the center, but it should also have an interest in other countries.

I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.

Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.

There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.

I still have a suspicion of charity and think the state has a role to play in many areas. And although for most of the years since I have been a rather privileged writer, I identify more closely than perhaps I should with those social workers. Had I not become a writer that would have been me. Lots of our friends are still in that world and I do feel part of that generation of people who were rather idealistic in the 70s and became disillusioned in the 80s. Not just about social services issues, but the world.