I don't know if that's philosophy or if that's something else, but to me it [digital filming] has an emotional feeling , that this materiality, the loss of the materiality.

Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.

All the dreams I dream are nightmares and those nightmares are the ones I live.

Life and art had a nice parallel, in the sense of coming together as strangers who are separate in prison who need to work together, getting to know each other.

One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.

The blues have always had some of the best times, best feelings I’ve ever had.

I thank the earth and the sky everyday for the opportunities I’ve had.