I don't know if that's philosophy or if that's something else, but to me it [digital filming] has an emotional feeling , that this materiality, the loss of the materiality.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

When the people you love are gone, you're alone.

Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.

I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.

Our dreams can teach us, instruct us, confuse us... sometimes I think they look to be considered. And in terms of like, they are an opportunity and I think they most certainly could be utilized to focus, to try and achieve - whether it's looking for someone, or influencing us, or inspiring us.

I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.