I don't know if that's philosophy or if that's something else, but to me it [digital filming] has an emotional feeling , that this materiality, the loss of the materiality.

I am not handsome or sexy. Of course, it's not like I am hopeless.

When the people you love are gone, you're alone.

I went with an exorcist for a bit. I just want to know really practical things, like how do you hold someone possessed by the devil.

Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.

Nothing ever truly dies. The universe wastes nothing, everything is simply transformed.

For the gun work, I had more of the basic training from the previous [movie John Wick] and the weapon work I have done in the past. In the second movie [John Wick 2], it really went on into another level. I've done the three gun training, where you worked with the pistol, rifle and shotgun. So that all is in the film.