Sure I believe in God and the Devil, but they don't have to have pitchforks and a long white beard.

You need to be happy to live, I don't.

Sometimes when you make a film you can go away for three months and then come back and live your life. But this struck a much deeper chord. I don't have the ability yet to speak about it in an objective.

Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.

I always felt a bit alone and isolated from other people...I did a lot of pretending as a child. It was my way of coping with the fact that I didn't feel like I fit in.

The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.

Anything where there's great enthusiasm, and a place to come share what you think is cool.