John Wick does different techniques. Everything is available to him. There isn't one way of working a weapon. I like the reload with the flick going outside. That movement of getting rid of the magazine is to go sideways with it.

I have a producing partner named Stephen Hamel, and we've been trying to generate material.

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

I don't know the law, the kind of law of quantity and quality, but I think the opportunity of people being able to express themselves and to have the means of production is a great thing. It's also changing how we're telling stories.

And it's easy to stay grounded. The ground is very close. And we walk on it every day.

How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.