You watch him playing Jack Sparrow, and he's loving it, and he's loving being in that world. He's still excited by it. Sometimes, he'll even say, 'Was that OK?' And I'm thinking, 'You're Johnny Depp man, you know that's OK!' But he doesn't. He's still going to [director] Gore [Verbinski] and asking for help. It's a privilege to see the human side of Johnny. It's really exciting.

If only I wasn't an atheist, I could get away with anything. You'd just ask for forgiveness and then you'd be forgiven. It sounds much better than having to live with guilt.

Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.

I worked with John Maybury on The Jacket and I think he's an extraordinary film-maker. I read the first drafts of this piece when I was working on The Jacket, and we'd so fallen in love with him that we thought he was the only person that should direct this! We wrote poems for him, we sent him champagne and cakes. Four years later he finally read it.

I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.

[The press] said to me yesterday 'How does it feel to be called anorexic?' and I had no idea that I was. I'm not saying there aren't people in the film industry that suffer from it, because I am sure that there are. But I'm quite sure I don't have it.

I think I always disappoint people, because they always expect someone very pretty. Very done. There’s so much pressure to be thin, blonde and busty. I’m skinny, but even I couldn’t fit into some of the clothes in L.A! In a funny kind of way, I think you create it yourself. I think it’s much better to go with the flow and embrace your body, whatever shape it is, and just be happy.