You bring yourself to every role, it doesn't matter who it is, it doesn't matter if it's a mass murderer, you can bring something to it.

You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.

You have to learn the rules to be able to know how to break them.

It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?

I've had my body manipulated so many different times for so many different reasons, whether it's paparazzi photographers or for film posters.

The whole point for me is to change as much as possible. If I've done one movie, I've done that, move on.

I cook. I go to farmers markets in London and cook really good sort of organic foods.