It's a tricky one when you're playing somebody who is mad. There's often the big actor's question, if you're playing a part like that: do you take it to be an internalized thing, pull the audience in, or do you go full-out, and kind of present it as quite a shocking thing?

They always pencil in my boobs. I was only angry when they were really droopy. For King Arthur, for a poster, they gave me these really strange droopy tits. I thought, well if you’re going to make me fantasy breasts, at least make perky breasts.

I do think that acting is such an unpredictable job, and you're away a lot. If you're dating somebody outside the industry, it can be hard to understand that.

I think sometimes it's sort of easier to be playing a role based on a real person because there's quite often a lot more information, you're not making it up, it's there in books, it's there in research form. But really the questions you ask about the character, and why people behave, and where they come, and how they've ended up in the places they've ended up are the same.

I've had my body manipulated so many different times for so many different reasons, whether it's paparazzi photographers or for film posters.

I think women's bodies are a battleground and photography is partly to blame. Our society is so photographic now, it becomes more difficult to see all of those different varieties of shape.

In the movie, you're moving, you have personality, you don't have to be great looking.