I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.

[Mel Gibson] played this kind of sadistic motorcycle cop. He was terrific. And he had this great sense of visual comedy.

And so I love films that are kind of rural in atmosphere. And you know, it's just a nice place to be day after day. All be it, it can be hard, it can be hard work. You can get hot.

I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"

I changed my major to English literature, which was on the advice of my father. I finally said, "You know, Dad, to heck with it: I'm just going to be an actor. But I'm going to go to school." And he said, "Well, if you're going to go to school, then major in English literature. Those are the tools you are going to be working with as a man who's going to be acting in English, one would assume."

So we went off and made this movie ["Jim Younger"], and I've gotta tell ya, it's as much fun as I've ever had making a movie. It was kind of like adult summer camp. We put on this Western gear, strapped on our six-shooters, and went out and played cowboy all day! It wasn't an easy shoot.

I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"