So we went off and made this movie ["Jim Younger"], and I've gotta tell ya, it's as much fun as I've ever had making a movie. It was kind of like adult summer camp. We put on this Western gear, strapped on our six-shooters, and went out and played cowboy all day! It wasn't an easy shoot.
Keith CarradineI mean, it was a rough place ["Wild Bill Hickok"], and you had to wear this kind of cloak that you were a badass, and the most efficient way to do that was with your language. Swearing was just a part of how you got by during the day, and it was quite historically accurate, that depiction.
Keith CarradineI think it [Trouble In Mind] was the only time Divine didn't appear in drag, or certainly one of the few times, anyway. Alan created a time and place that was no time and no place, so it was not identifiable with any particular period or any particular city or any particular country, for that matter. I mean, everybody spoke English, but that was about it. So you couldn't pigeonhole that film.
Keith CarradineLee Marvin was just the best. Just the best. And that was the beginning of a friendship that lasted until he died. And the same with Ernie Borgnine. You know, I went up there and did that movie [Emperor Of The North] with those guys, and I actually was with Ernie the night that he died.
Keith CarradineMel [Gibson] could stage physical comedy and put the camera in such a way... I mean, we did some really funny stuff, and he had some great ideas about how to do it. It was a delight to work with him in that regard.
Keith CarradineMy first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.
Keith Carradine