I was actually filming in Atlanta when I got a call from Walter Hill saying, "Well, it could be your turn to play Hickok." I said, "Oh, well, great!" He said, "What's your hair look like?" I said, "Well, it's short, Walter, but... I've still got that wig!" . He said, "Well, bring it!"

Well you know I've been fan of Tony Hillerman's books for years.

I think time is elastic. There are moments in my life that are many, many years ago and yet I can conjure them as though it's a second ago. And there are other things that happened maybe last week that seem like ages ago.

I wouldn't call it ["Wild Bill Hickok"] an urban legend, but I guess I'd call it a rural legend that the cowboy was always soft-spoken, mild-spoken, well-mannered.

I mean, it [Southern Comfort] is basically a story about the folly of our misadventure into that war, done in the context of these National Guard weekend warriors who wander into a world about which they know nothing and then wind up wreaking havoc on themselves.

When I was in high school... I loved the outdoors, and I was introduced to wilderness camping. I was in a little prep school - a boarding school in southern California, in Ojai - and when I was in this school, they had a camping program, and there would be regular trips: hikes into the mountains, the Sierras, the Sespe River Valley, and different places.

I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.