The full weight and mystery of your art rests upon your relationship to your subject matter.

I don't know if I can articulate how I feel. Never in my wildest dreams did I think I would make it here.

I think the equipment you use has a real, visible influence on the character of your photography. You're going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you're Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it's about what you find important. It's all about ideas.

How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.

You are lucky if you have one or two epiphanies in your life, particularly a creative one.

In the history of photography, one process has always replaced another. The tumultuous realignment that's going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.

Sharpness is overrated.