In the history of photography, one process has always replaced another. The tumultuous realignment that's going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.

I want to be made better personally. That is the gig.

I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they're natural things that happen in the world, but if you look at them from a slight angle there's more than meets the eye.

I don't just look at the thing itself or at the reality itself; I look around the edges for those little askew moments-kind of like what makes up our lives-those slightly awkward, lovely moments.

I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.

The raw materials of photography are light and time and memory.

How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.