The raw materials of photography are light and time and memory.

I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.

I like small things, I like small moments that are almost elliptical, that are not necessarily linear; they're natural things that happen in the world, but if you look at them from a slight angle there's more than meets the eye.

I don't think science is necessarily incompatible with mystical or spiritual sensibilities. I often weigh them equally in my thinking, which sometimes finds itself into the work.

Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.

I think there is an element of magic in photography - light, chemistry, precious metals - a certain alchemy. You can wield a camera like a magic wand almost. Murmur the right words and you can conjure up proof of a dream. I believe in wonder. I look for it in my life every day; I find it in the most ordinary things.

Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.