What's the big deal about still working? Retirement age is sixty-five, and that's at a normal job - and I ain't there yet.

What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.

The thing about being a songwriter, once you realize you are one, is that to provide ammo, you start to become an observer. ... You're constantly on the alert. That faculty gets trained in you over the years: observing people, how they react to one another, which in a way makes you weirdly distant. ... It's a little of Peeping Tom, being a song-writer.

There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.

George Jones is a national treasure and should be treated accordingly. A unique style so often emulated even inadvertently.

We age not by holding on to youth, but by letting ourselves grow and embracing whatever youthful parts remain.

I'm an unpure purist, something like that.