I think that we want to be led slightly astray when we're being told a story. Just a little wrong footed.

We are sitting on our honeymoon bed in the honeymoon suite. We are in a state of honeymoon, in our honey month. These words are so sweet: honey, moon. This bed is so big, we could live on it. We have been happily marooned -- honey marooned -- on this bed for days.

You have to salvage what you can, even if you're the one who buried it in the first place.

I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.

So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.

I'd be flattered if someone said that my work is "too weird" for them. I value the uncompliment.

Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.