I think that we want to be led slightly astray when we're being told a story. Just a little wrong footed.

Topiary has always seemed like a good occupation, comparable in some ways to writing short fiction.

Most of the things that I remember from childhood wouldn't make a particularly good story: rescuing worms during rainstorms, our schnauzer attacking a wheel of cheese when someone dropped it during dinner, my parents tricking us into riding Space Mountain at Disney World (we thought it was an educational people-mover kind of ride), playing Star Wars (I got to marry Harrison Ford and my sister married Luke Skywalker) in first and second grade. On the other hand, we always had lots of interesting babysitters--seminary students and friends of my parents--who told really good ghost stories.

Becka might have been average in L.A., but average in L.A. is Queen of Mars in the visiting room of a federal penitentiary in North Carolina.

Everyone has a bizarre childhood and unusual life experiences, whether they know it or not. There's no such thing as a normal childhood. What's useful in writing weird fiction is learning how to understand and articulate those moments of personal, particular strangeness.

The world is a dangerous place, full of people who don't trust each other. This is why I am staying up in this tree.

You should never poison a witch.