It can get a bit boring working on accents.

They're naughty, all those writers - they mess around with people. I know James Gandolfini got a bit fed up on 'The Sopranos': if he said anything in front of a writer, told them a story from his life, it could make its way into the script.

I love that thing on Amazon that you can go on and order a book, and you click on it and it says, 'You might also like,' or 'Other people who bought this have bought that.

I don't think you can be involved in film and not be a fan of theirs. The one that I just go back to and can watch anytime it's on TV and I'll watch to the end, is Fargo. I think it's, like, a perfect film, it's genius.

It's just the way I'm made. I do feel confident in what I do. It doesn't always work out 100% of the time, but generally I think I can do it quite well. But the other part of my job is doing the press and stuff. And I'm rubbish at that. I'm really not good at that at all - this quite important part of what I do.

I get claustrophobic in a harness. I'd be a terrible superhero.

I've done TV and I've done film, and I'm not snobby about it. It's about the project.