The best way to do comedy is to not filter yourself, and then you could always fix it later. You want to be able to push the envelope.

You have to tap into the child in you. If you can get to that innocent place, then you're golden. That was the subconscious goal for me.

I don't understand how IMDB works. I don't know who logs in the information. I've checked it a couple times and saw (something he was supposed to be listed in) that I wasn't in there, and thought, "Well, I'm not gonna put it in there".

One of the things I would love to do is Axe Cop, which is a comic book. I would like to be involved in Axe Cop someday. I would also love to be in a Western.

The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.

I loved horror movies, and I loved movies like that - stuff with an anarchy to them, with chaos. Stuff that glorified violence and whatnot. It's not as entertaining now. It effects me now in a way that it didn't then.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.