The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.

I've never made a film using dialogue or speech.

I prefer to think of film making - you know, um, the sweat is supposed to be invisible. But a lot of sweat can go into making a film. But of course, if you enjoy doing it, you enjoy doing it.

I try to remember dreams, and occasionally I'll make a note or two in a notebook if it's something extra interesting. They do mean quite a lot to me, and they don't happen all that often. In other words, I don't have some kind of loud, Technicolor dream every night. But a few times a month, I'll have a rather interesting dream. They're mostly visual - oddly enough, I don't have much dialogue in my dreams. They just don't speak.

A 'death mirror' held up to American culture - Brando, bikes and black leather; Christ, chains and cocaine. A 'high' view of the myth of the American motorcyclist. The machine as totem from toy to terror. Thanatos in chrome and black leather and bursting jeans.

Making a movie is casting a spell.

A film about the love generation - the birthday party of the Aquarian Age showing actual ceremonies to make Lucifer rise. Lucifer is the Light god, not the devil - the Rebel Angel behind what's happening in the world today. His message is that the key of joy is disobedience. Isis (Nature) wakes. Osiris (Death) answers. Lilith (Destroyer) climbs to the place of Sacrifice. The Magus activates the circle and Lucifer - Bringer of Light - breaks through.