I try to remember dreams, and occasionally I'll make a note or two in a notebook if it's something extra interesting. They do mean quite a lot to me, and they don't happen all that often. In other words, I don't have some kind of loud, Technicolor dream every night. But a few times a month, I'll have a rather interesting dream. They're mostly visual - oddly enough, I don't have much dialogue in my dreams. They just don't speak.

I've made several films that haven't been shown.

I think it's basically quite different from dreams. If only cinema was that easy. Because dreams, all you have to do is fall asleep, and you can have fantastic vision. I know Baudelaire and people like that enhance their dreams with opium or something. But films are very constructed - they're like architecture. They're pieced together, glued together. To me, it's a craft. It's like making a tapestry.

I think people dream in their own way, dreams are extremely personal, even from person to person. They are completely individual.

The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.

I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people.

I'm a Thelemite. I believe in Thelema, which is Crowley's so-called religion. There are some practitioners here who do something called the Gnostic Mass. I've been to that a few times, but basically, I'm a loner. I don't really need other people.