Actually I think 'A Midsummer Night's Dream' could sit very very perfectly in the middle of a Disney world I think.

I looked at the 1950 animated film [Cinderella], I read a couple of editions of the fairy tale that I have in my house and all of it seemed to say that there was room for a version that delivered, in this story, which seems to invite a feeling in people and I think that is some version of a classical world.

I'm just a foul-mouthed Brit.

I don't feel one could even remotely touch the idea of intimidating others, but because I've understood the other side of the experience, I will occasionally, if I smell that could even be in the air for a few minutes, say to the director, "Please, you must tell me anything you want. Please say all the things you think might be terribly hurtful like, 'That was boring.'"

It's quite hard for people to just accept that they're very contradictory.

The glory of 70mm is the sharpness of the image it offers.

If you've done a brilliant version it becomes something else.