All color is no color.

The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear of their masters.

Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human beings.

Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was the means of reconciling the major conflict in his art, the conflict between abstraction and sensibility.

Sweeping, confident articles on the future seem to me, intellectually, the most disreputable of all forms of public utterance.

Lives devoted to Beauty seldom end well.

Children who are treated as if they are uneducable almost invariably become uneducable.