I think that the special thing about radio is the off switch. If something's not pleasing you, turn it off.

Twitter is not art. But it inspires me in the way that art used to inspire me.

Poets think in short lines. Unless you're Samuel Beckett, Twitter might be more difficult for novelists.

I often don't endorse what I tweet, rather I want to throw things about to spark conversation or controversy. What I think about something is not particularly important when talking to thousands of unknown strangers.

I don't have a readership, I have a thinkership. I guess this is why what I do is called "conceptual writing." The idea is much more important than the product.

I've been trolled lots. But I understand trolls for what they are and I don't let them get to me. They take my bait, so I'm in charge of the discourse.

My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.