The problems of human subjectivity replicate themselves at many different scales, like the overtones and undertones in a stringed instrument striking ghost-intervals up and down into infinity. This is not Hegel's ingenuity, it is his responsiveness to the organic structure in us that echoes itself throughout the whole architecture.

I know one thing. If a NASCAR driver ever got on the court with me, they wouldn't be able to keep up. That would be like me driving a bus in a NASCAR race.

There is a form of poetic and esthetic and moral genius necessary to make philosophical issues truly incandesce for students, and even though I indeed had some world-class professors myself when I went through the curriculum, I rarely saw such gnosic or concretist/poetic passion among them. I am not speaking of broad histrionics or melodramatic delivery, but rather a moral investment of concern, of loving delight and pathos in exposing one's consciousness to the full horrific and magnificent implications of the materials.

Myth is the practical metabolism of our soulish life, the logic of our obsessions and oversights for which we have no language or code. Myth is the "morality" that the ineffable puts upon us, our unaccountable imperatives, our inexplicably selective clarity and obscurity, the mortal one-sidedness of our talents and wits, the passion and apathy that make such a transient passage through our hapless minds; that weave a pattern of fatality others will see before we do. Myth is distinctively human or sublime higher-order instinct, the "reason" in culture that reason knows not of.

It is man's intrinsic and irreducible self-responsibility to humanize himself, to exercise his entire range of rational and moral resources to raise his mode of being and seeing and acting above not just that of animals, but also above that of the majority of subhuman (never to be self-realized) humans who will never draw themselves into a self-punishing position of focal self-diagnosis and self-accountability.

Kafka's writings often display an insidious power to describe a wholly secular and "factical" world in which the eerie or "unheimlich" elements gang up behind or beneath the ego's awareness and immerse it in a waking dream of something Other, an alien world-order similar to ancient irrationalist cultures (in transition from primitivism to civilized mythos-culture).

Between what human beings so naively and stupidly fear and what they most profoundly ought to fear-i.e. what they so pathogenically and addictively do to their own selves-there is a horrendous gulf and disparity.