There is no extrahistorical or eternalist or abstractivistically pure standpoint where we can get oriented in the absolute Truth per se before dealing with the concrete lineaments of how we happen exist in this time and place. We are participants in a dynamic system and we know its profile only by its action in organizing how we interact together and how we see our own selves. "The truth is the whole," and the whole is a system of living energy: our life as human and historical spirits.
Kenny SmithValues and verdicts never bother me half as much as people trying to weasel their way around them, or people compromising their reason to pander to their own prejudices and preconceptions, which they are so rarely competent to look in the face.
Kenny SmithFor those who do not make the transition to a matured, more spiritual self-will reason will indeed be no more than rationalization. Here is a prodigious parallel: just as in antiquity the dysdaimonic personality could not appreciate how his mentality was bound in by his characterological (banausic, doulic) biases, so in modernity the facile or abstractivist rationalist cannot comprehend how his "rationality" merely slavishly subserves his appetites, delusions, preconceptions, ideologies, etc.
Kenny SmithNothing in our politics is any longer driven or designed by individual humans who have a name and a face; we have sunk from theism into impersonal and depersonalizing deism, a scheme of rule by alien and implacable abstract metaphysical forces.
Kenny SmithInstant enlightenment. A quintessential modernism, culture and religion accommodated to the age of fast food and bumper stickers. But psyche and spirit are not so exempt from the natural domain that they can simply produce self-change instantaneously, on demand. Wisdom precipitates through a notoriously slow apparatus of retorts and flasks, and it has to find receptive ground only in a properly seasoned mind.
Kenny SmithMisfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
Kenny Smith