Thinking is the subtlest form of self-polemics, the art of a certain finesse in psychological self-vivisection and self-crucifixion (Hegel of course called the path of self-disillusion the via dolorosa or "highway of despair," in Baillie's fine and florid rendering, like Jesus' route to Golgotha).
Kenny SmithThinking is the subtlest form of self-polemics, the art of a certain finesse in psychological self-vivisection and self-crucifixion (Hegel of course called the path of self-disillusion the via dolorosa or "highway of despair," in Baillie's fine and florid rendering, like Jesus' route to Golgotha).
Kenny SmithInstant enlightenment. A quintessential modernism, culture and religion accommodated to the age of fast food and bumper stickers. But psyche and spirit are not so exempt from the natural domain that they can simply produce self-change instantaneously, on demand. Wisdom precipitates through a notoriously slow apparatus of retorts and flasks, and it has to find receptive ground only in a properly seasoned mind.
Kenny SmithIntellect is merely a narrow and highly specific kind of thing that we DO, but our immediacy relates us to what we naturally and essentially ARE, the actualities of our full-dimensional existence.
Kenny SmithI start off with the obvious, that it makes no sense either to believe or to disbelieve in God until a substantial and intelligent definition or concept should be offered. Belief or disbelief is a secondary consideration, contingent on the intelligibility and cogency of the premise; the primal unintelligence or irrationality of moderns is revealed by their eagerness to leap to a conclusion without ever being curious what the hell the original premise was.
Kenny SmithMisfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
Kenny Smith