I start off with the obvious, that it makes no sense either to believe or to disbelieve in God until a substantial and intelligent definition or concept should be offered. Belief or disbelief is a secondary consideration, contingent on the intelligibility and cogency of the premise; the primal unintelligence or irrationality of moderns is revealed by their eagerness to leap to a conclusion without ever being curious what the hell the original premise was.
Kenny SmithNietzsche is absolutely correct, even more correct today than when he wrote it in Thus Spake Zarathustra: I looked all about me for human beings but all I saw were fragments, deformed creatures with too much eye or too much ear. This is what the modern culture of specialized intellect-the kind of one-sidedness that banausic utilitarianism alone can value-works so hard to produce.
Kenny SmithThe ideological are individuals ultimately swamped by the complexities of modern life and political and economic relations; they have deliberately attached themselves to some caricatural maven like Falwell or Limbaugh who speaks to their manipulable pathos. The gulf between such individuals' education or intellectual competence or information and the actual issues of our times is simply too great. They were bred to be culture-media for false consciousness, junkies who crawl on their bellies across broken glass for another hit of "clarifying wisdom" from some ideological Pope.
Kenny SmithIn late modernity we grow more and more accustomed to politicians and public figures who are indebted to their appetites for their "values," to their intellectual sloth for their "principles," to their rhetorical cleverness for their "conscience," and to their regimented conformism for their "philosophy."
Kenny SmithWisdom is the aristic craving for extraordinary insights, for incandescent revelations that have the power to burst through banausic and doulic ordinariness: wisdom is the lust to be transfigured, transvaluated.
Kenny SmithMisfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
Kenny Smith