If I keep going outside, I get distracted - and all these lunches and things I get invited to, I just don't care. I just want to make the work. New York is very distracting.

I use Instagram as an online gallery to display my work. For me, it's almost more important to exist online than it is in real life.

That's how I feel about the work. The work is solid, the work exists and will stay the same, but if you can have it playing and interacting with light, then it will always be different.

My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.

I tend to stay in one place and become a hermit and not leave. Work, work, work, and collect things, create and curate a space.

Whatever social network that comes along, whether it be Twitter, Facebook, Instagram, Snapchat, whatever it is, I'll use it in a creative sense to push the vision and explore the possibilities of the relationship between humans and technology.

It takes me a long time to understand my work myself, so I name them in the order that they're created.