With every sentence she writes, Davis freshens the senses. Her novels achieve a tone that’s unlike anyone else’s, creating an atmosphere you don’t so much interpret as breathe.

I'm uncommonly slow to show my work to other people, and by the time I do I've usually exhausted myself so completely that all I really want is for someone to tell me that my efforts have added up to something - not one of my better qualities, I admit.

Sometimes they rose up inside her, these moments of fierce happiness, kindling out of their own substance like a spark igniting a mound of grass. It was a joy to be alive, a strange and savage joy, and she stood there in the warmth and destruction of it knowing it could not last.

I was wholly invested in my friendships. I might have tested them sometimes, but only to reassure myself that they were permanent. A mistake, of course.

How often, you wonder, has the direction of your life been shaped by such misunderstandings? How many opportunities have you been denied--or, for that matter, awarded--because someone failed to see you properly? How many friends have you lost, how many have you gained, because they glimpsed some element of your personality that shone through for only an instant, and in circumstances you could never reproduce? An illusion of water shimmering at the far bend of a highway.

What I wanted was to write a memoir that was immersive rather than reflective, to resurrect a long-gone version of my own consciousness. I kept expecting that sooner or later the effort would come to seem like second nature to me, but it never did.

I always try to stay as quiet as possible about a book until it's finished.