People who read Anne Lamott, like people who read Anne Rice, believe that tragedy is romantic, but the people who read Anne Lamott believe it ironically.

How often, you wonder, has the direction of your life been shaped by such misunderstandings? How many opportunities have you been denied--or, for that matter, awarded--because someone failed to see you properly? How many friends have you lost, how many have you gained, because they glimpsed some element of your personality that shone through for only an instant, and in circumstances you could never reproduce? An illusion of water shimmering at the far bend of a highway.

Anyone who has ever experienced love knows that you can have too much or too little. You can have love that parches, love that defeats. You can have love measured out in the wrong proportions. It's like your sunlight and water - the wrong kind of love is just as likely to stifle hope as it is to nourish it.

In seventh grade I gradually became aware that that quickness of feeling was something I was supposed to have outgrown. I was rather guileless, I think, or at least I was when it came to the people I cared about.

You have a pet theory, one you have been turning over for years, that life itself is a kind of Rube Goldberg device, an extremely complicated machine designed to carry out the extremely simple task of constructing your soul.

You remember having friends who used to lampoon the world so effortlessly, crouching at the verge of every joke and waiting to pounce on it, and you remember how they changed as they grew older and the joy of questioning everything slowly became transformed into the pain of questioning everything, like a star consuming its own core.

With every sentence she writes, Davis freshens the senses. Her novels achieve a tone that’s unlike anyone else’s, creating an atmosphere you don’t so much interpret as breathe.