The funny thing is I showed my daughter E.T. recently, and she was like, it's Pete's Dragon. It's a boy, who makes friend with a creature, and has to say goodbye at the end. I'd never made that connection!

The more films we make the more we get to deal with those pre-existing relationships. But when it comes to a movie like Ant-Man or Guardians or certainly Doctor Strange, it's just bringing to life stuff that's already been there in the comics and we finally get a chance to do it on the big screen.

Once that Gauntlet is on, as the poster of Doctor Strange says, "the impossibilities are endless."

Filmmakers are anxious about what other people are working on.

Being authentic in the way you'll see today on the sets [of Doctor Strange] that Charles Wood has designed for us, being authentic in filming, as we did for the first week on production on this in Nepal and in Kathmandu. It was important to us to make it feel like these were real locations and real things.

People who know and read comics know that there's a huge diversity amongst the types of stories. Nobody ever goes 'how many more of these movies based on novels are there going to be?!'. People laugh at that question and they go novels, there are all different types of novels. But there are all different types of comic books, they just happen to have drawings on the cover!

I think [Doctor Strange] it is - it does tap into a supernatural type of genre that is not horror.