I don't know that a movie like Doctor Strange couldn't have been the second or third film we made. I don't think we're doing anything in that requires past viewing, as opposed to Civil War which we wouldn't have done as the first or second movie because so much of that film is based on the pre-existing relationships between the characters.

We have audiences that seem to be embracing whether they've heard of the characters or not.

When we bring the filmmaker, we bring somebody to help us elevate the material with those things, to help us do something different with all of those resources at their disposal.

The super-powered girlfriend for [Doctor] Strange wasn't in the first issue. There's a lot of backstory required for her, which is one of the reason we didn't go that way. There's so much to set up in this. I think it's always a huge mistake when you throw the kitchen sink and everything in the first movie.

I do think that as I said before the canvas of action sequences and the way in which the sequences unfurl will be very unique and will be different than any movie we've made before, and that's what makes it interesting, what makes it [Doctor Strange] special, and what makes it worth pursuing, and worth bringing to life for the first time.

Being authentic in the way you'll see today on the sets [of Doctor Strange] that Charles Wood has designed for us, being authentic in filming, as we did for the first week on production on this in Nepal and in Kathmandu. It was important to us to make it feel like these were real locations and real things.

In the past that you should choose a list of female action superhero movies that haven't worked. I don't believe they haven't worked because they had a female in the lead, I believe they didn't work because they weren't good. They weren't technically well done movies.