Being authentic in the way you'll see today on the sets [of Doctor Strange] that Charles Wood has designed for us, being authentic in filming, as we did for the first week on production on this in Nepal and in Kathmandu. It was important to us to make it feel like these were real locations and real things.

Filmmakers are anxious about what other people are working on.

I was making Marvel Studios movies, Amy Pascal was running Sony. Occasionally, she would share drafts with certain people at the studio and I would read them, and see cuts of the movies. But what I've learned with is that I'm no help whatsoever giving passive comments on other people's projects.

Being authentic in the way you'll see today on the sets [of Doctor Strange] that Charles Wood has designed for us, being authentic in filming, as we did for the first week on production on this in Nepal and in Kathmandu. It was important to us to make it feel like these were real locations and real things.

I do think we've looked at this film [Doctor Strange] not with any direct genre comparison but as a play on the supernatural genre. Certainly more so than we've done in the past, which is what makes his journey from person that doesn't wear a cape to person who does wear a cape - cloak, much more unique than we've seen in the past.

Once that Gauntlet is on, as the poster of Doctor Strange says, "the impossibilities are endless."

We have audiences that seem to be embracing whether they've heard of the characters or not.