I never thought in a million years that I'd ever sell out back-to-back shows at The Garden. That's not to say, I never expected my career to take off. Still, it was a "Pinch Me, Wake Me Up" moment. I was like, "Wow! I can't believe this. That I'm actually here, and this is actually happening." And in that moment, when I was about to thank my fans for supporting me, I noticed that they were standing up clapping. It was overwhelming, and became a very emotional moment when I tried to thank them.

I don't know about other people, but I love to work.

As soon as we try to write the simplest sentence about God, we find ourselves in anxious perplexities, but when we stop trying to write about God and talk with God, God is there and we can talk with God.

There seems to be something poetically that doesn't work or is limiting when you call God 'God' in a poem. When I tried to be honest with myself in my relationship with God, Christ is, on the one hand, completely dark, he's transcendent and unknown. On the other hand, he is completely imminent and completely knowable as Jesus. Our tradition speaks of him in both ways as transcendent but also as a lover who comes to us, and the two word 'Dark One' seem to me to contain both things, the transcendence and otherness of Christ, but also like a kind of dark lover who comes to us.

I am who I am today because of my mother.

I think poetry has started to take on a supplementary role of prayer for some people. The churches, I think, including my own, are terrible at teaching people how to pray. It may be that we need to learn from the ground up as religious people, whether Christian or not, how to pray.

The most important thing for a director is being able to communicate.