It never ceases to surprise me, the people I get to work with. I'm in a French film with Sandrine Bonnaire? I adore Sandrine Bonnaire. I'm doing a picture for Robert Redford? The Sundance Kid? I have to pinch myself sometimes.

I like variety, which is frustrating. But I've always been picky. I was afraid Pirates would be too much like Twentieth Century, broad comedy. But my agent talked me into it. I was spoiled by the range of a repertory theater.

But, I do think, on a very simplistic level, that we can project onto dogs because they are so innocent. They don't come with a lot of baggage.

But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.

I have been in countries where I don't know a word of the language. I tried to practice my French as much as possible. I would talk with the crew. I always order in French, but then waiters respond in English. I hate that.

I see God as a song-and-dance man. If I had my way, he'd be able to carry a tune, too. Preferably, one of mine.

Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.